![]() She tries to escape but is caught by the slave traders who are manning the castle. She descends into a dungeon, finding African men and women silently chained together. The guardian seems to cast a spell on Mona. The guardian also takes umbrage with the hordes of mostly white tourists crawling through the dungeons that once held slaves. It was “the point of no return.” In the opening scenes, Gerima’s lens peers over the now-antique cannons that line the white-sand walls, looking toward the tangerine sun-soaked beaches below, wherein Ghanians laugh, play, and prepare to fish.Īn older Black man, the self-appointed guardian of this castle, adorned in a white robe and holding a bird-crowned staff, takes great displeasure in Mona who isn’t just using the sacred ground for a photoshoot. During the trans-Atlantic slave trade the castle was the lost stop before Africans confronted the further horror of traveling to America. Mona ( Oyafunmike Ogunlano), the film’s protagonist, is a present-day African-American model sporting a leopard print bathing suit and orange Tina Turner inspired hair, working a photoshoot on a Ghana beach in the shadows of Cape Coast Castle. ![]() Ava DuVernay’s Array via Netflix is now re-releasing a 4k restoration of the film, and the result is a visually striking unearthing of an important chapter in world cinema. Instead, Gerima self-distributed the film to independent cinemas across the country, and it’s not been widely seen since then. ![]() “Sankofa” didn’t receive distribution upon its initial release.
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